Piano Lessons
Hey Now
Rock and Roll music is rooted deeply in the blues and some of the greatest rock songs ever are, after it is all said and done, the blues. When we think of the blues we conjure up images of broken down dreams, love gone wrong or a host of calamities of the soul. Read more»
But that does not mean the blues have to be bleak, the music itself can be bright, uplifting even hopeful, just like the featured song this week, Hey Now Baby by Professor Longhair. Recorded sometime between 1949-1953, Hey Now Baby was finally released in 1972 on the album, New Orleans Piano by Professor Longhair, the album is listed as number 220 on Rolling Stone Magazine's top 500 albums of all-time (2003). Hey Now Baby is a blues song that reveals the anguish of a spurned lover, Longhair wails for his baby's love; explaining, "I say I love you baby, I really do, If you don't believe me baby, they ain't nothin I can do." The vocal is haunting, a howl in the wind, because you see, he still wants her even though she rejects him, that's the blues! The power of this song is in the fact that we don't feel sorry for him, the melody is bright and optimistic and the listener is swept away in a funky, boogie-woogie. Professor Longhair's pioneering style is evident here, as his right and left hands seem to be working against each other yet they create a harmonic unity of joyous spontaneity inherent in the 'New Orleans' sound he helped create. Hey Now Baby appears on over 15 records and most recently was released by Alligator Records on a disc titled, Professor Longhair (2010). Unknown and mostly forgotten by the end of the 1960's, Professor Longhair resurfaced in the early 1970's to become an icon in the history of Rock and Roll, influencing countless musicians and earning the admiration of thousands of fans.
Hey Now Baby has a rolling New Orleans baseline against a syncopated right hand which is essential to playing blues and rock.
Lesson Schedule
Levels 6 and 7: The quickest way to rock is by learning the Groove Chart! To help with improvising, practice the C, three-octave scales and learn the C Blues scale which can be used to solo over this song's chords.. Also learn the C, G, and F7 chords.
First Week: Beginners practice the Lesson. Intermediate and Advanced students practice the Groove Chart and the Lesson.
Second Week: Add the Exercise and Improvisation to your practice. Remember, many blues-rock songs have a very similar structure. Learning this song will open you up to hundreds of similar songs!
Videos & Sheet Music
Purchase
You do not currently have access to this lesson.
To access this lesson, Purchase Lesson
To access all our lessons, purchase Membership





I’m enjoying the lessons immensely but I have a query. Can you tell me what runs your pianist does at the end of Joy boogie and hey now,
They’re shown on the preview lesson but on the purchased ones they just end on the seventh chords mostly.
Collin is just arpeggiating the dominant seventh chords up and down the keyboard. For Joy Boogie he uses G7 and for Hey Now he uses C7. You can go to the “Tools & Resources” to find the chords.
The way you play the first part of the song in level 7 is exactly the way I learned a generic norleans groove…later I have no idea why but I decided to play it to Randy Newman’s “you can leave your hat on”…singing along with it sounds great, nasty and unexpected, but I could never work an improv instrumental chorus in…just way too syncopated for me to figure out…I am hoping this lesson will make that
happen!
Nikalette,
You might want to check out the Groove Chart. That will give you the basic New Orleans groove which you can comp with. Then check out the Improv which will give you some riffs that you can work into the groove. The video will show you how to get some improvising going over the syncopated groove. Keep rockin!
Jagger,
Your left hand groove is excellent. That is a difficult groove to get down and you nailed it. Have you tried improvising over it yet? Try working with notes from the C blues scale in your right hand while keeping that steady New Orleans groove going in your left.
Awesome job!
I love the feel to this song! The grace notes make it more challenging, more of a charm and more interesting.